.. at and below zero volts, generating symmetrical output signals, and processing bipolar analog inputs, are all examples of design situations where a few milliamps of negative voltage rail can be a necessity. Figure 1 shows a simple ...
.. exponential waves are much use for generating sines, especially when their amplitudes depend on the supply. (My original design spec was for a PP3/6LR61 battery, giving about 9 V or 4.5 V when new, and a lot less when not.) A different ...
.. Note that the signal ground with respect to earth ground is floating; you must not tie these grounds together. The design in Figure 1 has successfully controlled fans and high-amperage universal motors (100 mA to 11 A). One example ...
.. 3 V, the linear driver takes over. Note that if the other half of the LM393 is not used for another LED power supply, good design practice dictates that all unused input and output pins on the LM393 be tied to ground. Figure 2 shows the ...
.. dubious) advantages compared to competing topologies. This “new” (I haven’t seen it elsewhere) idea for a design shown in Figure 1 joins the mob with the following claims to fame. It requires only a single amplifier, runs ...
.. zero output of an op-amp that is based on a symmetrical multivibrator for better efficiency than the previous photocell design idea. This second circuit is based on a symmetrical multivibrator and has far better efficiency than its ...
.. of square, triangle, and sine waveform outputs is a familiar tool on electronics lab benches. It’s also a classical design exercise. Generally, the square and triangle are easy, so the problem is how to generate an acceptably ...
.. controlled gain is an everyday analog-design element. You frequently find this element in an op-amp-based, transimpedance current-to-voltage converter. ...